Monday 6 February 2017

A JOURNEY OF MOTION PICTURE IN INDIA | EP11


Year 2001, marked something spectacular in the Hindi cinema business. DIL CHAHTA HAI released, a movie way ahead of its time and created a storm giving all some friendship goals and then there was GADAR:EK PREM KATHA, Sunny Deol’s power packed dialogues with a backdrop of partition in India and mingled love story gave Goosebumps in theatre. The impact of Deol’s dialogues were such that it broke the box office with crossing 100 crore eventually. Directed by Anil Sharma GADAR: EK PREM KATHA became the most liked drama film.

The race didn’t stop hear some of the amazing films were yet to be released and soon the film Lagaan released, India’s entry for Oscars though it didn’t win any award ,it was showered with awards by rest of the world, directed by Ashutosh Gowarikar  and Amir Khan starrer knew its box office result before release. Thoroughly liked by the Indian audience it was like a feast for them.

As the motion picture came along through inventions and new technical changes there was also a change in storytelling. Clichés were out of question. Everyone had its own stamp of recognition. EXAMPLE like Sooraj Barjatya films had family gatherings and family wedding functions, Madhur Bhandarkar’s film depicted reality, Sanjay Leela Bhansali was known for his huge sets etc.

Indian Cinema is also recognised at the American Academy Awards. Three Indian films, Mother India (1957), Salaam Bombay! (1988), and Lagaan (2001), were nominated for the Academy Award for Best Foreign Language Film. Indian winners of the Academy Awards include costume designer Bhanu Athaiya, filmmaker Satyajit Ray, music composer A. R. Rahman, sound editor Resul Pookutty and lyricist Gulzar.

Coming up next is regional cinema and its share to Indian film industry.


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